Skip to main content

God Centred Singing

Each generation must sing to God with the best music of its generation. For David, it was the tambourine. For us today, it is the carefully crafted sounds of hiphop drumbeats, the sound of the Kalindula drums, and many other such instruments. Here is what Asaph says :
Sing aloud to God our strength; shout for joy to the God of Jacob! Raise a song; sound the tambourine, the sweet lyre with the harp. (Psalms 81:1, 2 ESV)
I posit that there are five features that must accompany God centred singing:

1. It must be aloud (1) – he says it twice “aloud” and “shout”. That is both declaratory and resounding! No timidness in singing! Its pathetic singing the word of God with your hands in your pocket when people shout at football games!

2. It must be joyful  (1) – it says shout for joy. Not the glumness that we see in churches. It flows from a deeper joy in Christ that is fully expressed in worship. It is not dullness we see! It is overflowing!

3. It is a song (2) – that means it is a crafted song, dare I say, with some intelligence to it – not just words bumbled together. But being a song also means that it is meaningful to those listening. A song captures your attention and draws you to the mind of the author.

4. It is accompanied by instruments  – the tambourine, the lyre and the harp, and the trumpet. These add colour and flavour to the singing. The diversity of instruments is vital here, not just one instrument.

5. It is sweet  – the key here is on the “sweet lyre”. Asaph is captured by the sound of the lyre and its melody. What Asaph is getting at is that it s the best! The Psalmist calls us to bring the best of our culture before God. For Asaph it was the lyre, for us it means the best of hiphop drum beats, the best of reggae beats, the best of neo-gospel melodies , the best of Kalindula beats and other styles of our culture. They must be brought and expressed in a way that glorifies God in singing.

Comments

Popular posts from this blog

I am what I am by Gloria Gaynor

Beverly Knight closed the opening ceremony of the Paralympics with what has been dubbed the signature tune of the Paralympics. I had no idea Ms Knight is still in the singing business. And clearly going by the raving reviews she will continue to be around. One media source says her performance was so electric that "there wasn’t a dry eye to be seen as she sang the lyrics to the song and people even watching at home felt the passion in her words" . The song was Gloria Gaynor's I am what I am . Clearly not written by Gloria Gaynor but certainly musically owned and popularized by her. It opens triumphantly: I am what I am / I am my own special creation / So come take a look / Give me the hook or the ovation / It's my world that I want to have a little pride in / My world and it's not a place I have to hide in / Life's not worth a damn till you can say I am what I am The words “I am what I am” echo over ten times in the song. A bold declaration that she ...

Trusting God, By Jerry Bridges (A Review)

Trust is the bedrock of human relations. It is a necessity in a world of finite creatures. We do not know everything and we are powerless over many of the events that occur in our lives. We depend on others to make life work. We cannot afford not to trust. Trust deepens us as individuals by bringing us into mutually satisfying relationships. It enables us to know, love and learn from each other. The tragedy of life is that the one person who we can truly depend on and deserves all our trust, is also the person we struggle to put our trust in. When it comes to trusting God, we are all bankrupt. This poverty is most acute when we go through pain and adversity. Jerry Bridges’ Trusting God aims to help us take a fresh look at God. To help restore our confidence in the goodness and sovereignty of God. This issue is important because though many of us claim to trust God, our thoughts and actions speak otherwise. In our private moments we often ask: how can we trust a God who is supposedly ...

Repeaters

Repeaters is directed by rising Canadian director Carl Bessai. It tells the story of three drug addicts - Kyle, Sonia and Mike - who have become friends in the drug rehab. As part of the rehabilitation process they are granted their first day out in the community to "make amends" with loved ones, only to experience failure. Kyle has a young sister who refuses to talk to him. Sonia fails to reconcile with her father lying on the death bed in hospital. Mike is rebuffed by his father in jail. Next morning they wake up to find the day is repeating itself. Everything happening exactly as it was the previous day. And this cycle continues going forward. The film is essentially an exploration of how the three respond to their predicament. On the first two repeats, after satisfying themselves that the repeats are genuine, they  indulge in carefree experiences! Their new immortality or externally inconsequential existence becomes a license to take drugs, rob people and...