Skip to main content

Pussy Riot as the Messenger

I have always thought there was something uneasy, or something not quite right about Pussy Riot and the western media reaction to it. It was not just the desecration of the Orthodox Church Cathedral. I could not placed my finger on it until I read this assessment by Vadim Nikitin :
How many fans of Pussy Riot’s zany “punk prayer” in the Cathedral of Christ the Savior and Nadezhda Tolokonnikova’s erudite and moving closing statement were equally thrilled by her participation, naked and heavily pregnant, in a public orgy at a Moscow museum in 2008? That performance, by the radical art group Voina (Russian for “war”), was meant to illustrate how Russians were abused by their government. Voina had previously set fire to a police car and drew obscene images on a St. Petersburg drawbridge.

Stunts like that would get you arrested just about anywhere, not just in authoritarian Russia. But Pussy Riot and its comrades at Voina come as a full package: You can’t have the fun, pro-democracy, anti-Putin feminism without the incendiary anarchism, extreme sexual provocations, deliberate obscenity and hard-left politics.

Unless you are comfortable with all that (and I strongly suspect 99 percent of Pussy Riot’s fans in the mainstream media are not), then standing behind Pussy Riot only now, when it is obviously blameless and the government clearly guilty, is pure opportunism. And just like in the bad old days, such knee-jerk yet selective support for Russian dissidents — without fully engaging with their ideas — is not only hypocritical but also does a great disservice to their cause.
If Nikitin is correct, the Pussy Riot saga once again highlights that the message cannot be dislodged from the messenger. It is simply not good enough to take in the message we get from the media, we must seek to understand the messenger behind the message. For the message is always an embodiment of those that carry it. Sadly, in the age of Twitter and Facebook there's little time to ponder and think through what we are receiving. We are swayed by what Madonna, Bjork and Daily Mail tell us we must believe. Ironically, more information is not leading to greater reliance on reason, but a suspension on it. We look to "authorities" to tell us what to make of Pussy Riot and not ourselves. We have no time to process all the messages, let alone focus on the messenger.

Comments

  1. I agree 100% Pussy Riot has almost been praised by the British media and Russia's government and their response to the grossly inappropriate actions of Pussy Riot demonised. Russia is not always right, but it is their right to punish disrespectful and disgusting behaviour.

    ReplyDelete
    Replies
    1. Yes, the power of celebrities now in setting the agenda basically means that newspapers are less keen to scrutinise things properly. It appears to be that everything that these celebrities endorse must be morally above reproach.

      Delete

Post a Comment

Popular posts from this blog

I am what I am by Gloria Gaynor

Beverly Knight closed the opening ceremony of the Paralympics with what has been dubbed the signature tune of the Paralympics. I had no idea Ms Knight is still in the singing business. And clearly going by the raving reviews she will continue to be around. One media source says her performance was so electric that "there wasn’t a dry eye to be seen as she sang the lyrics to the song and people even watching at home felt the passion in her words" . The song was Gloria Gaynor's I am what I am . Clearly not written by Gloria Gaynor but certainly musically owned and popularized by her. It opens triumphantly: I am what I am / I am my own special creation / So come take a look / Give me the hook or the ovation / It's my world that I want to have a little pride in / My world and it's not a place I have to hide in / Life's not worth a damn till you can say I am what I am The words “I am what I am” echo over ten times in the song. A bold declaration that she ...

Trusting God, By Jerry Bridges (A Review)

Trust is the bedrock of human relations. It is a necessity in a world of finite creatures. We do not know everything and we are powerless over many of the events that occur in our lives. We depend on others to make life work. We cannot afford not to trust. Trust deepens us as individuals by bringing us into mutually satisfying relationships. It enables us to know, love and learn from each other. The tragedy of life is that the one person who we can truly depend on and deserves all our trust, is also the person we struggle to put our trust in. When it comes to trusting God, we are all bankrupt. This poverty is most acute when we go through pain and adversity. Jerry Bridges’ Trusting God aims to help us take a fresh look at God. To help restore our confidence in the goodness and sovereignty of God. This issue is important because though many of us claim to trust God, our thoughts and actions speak otherwise. In our private moments we often ask: how can we trust a God who is supposedly ...

Repeaters

Repeaters is directed by rising Canadian director Carl Bessai. It tells the story of three drug addicts - Kyle, Sonia and Mike - who have become friends in the drug rehab. As part of the rehabilitation process they are granted their first day out in the community to "make amends" with loved ones, only to experience failure. Kyle has a young sister who refuses to talk to him. Sonia fails to reconcile with her father lying on the death bed in hospital. Mike is rebuffed by his father in jail. Next morning they wake up to find the day is repeating itself. Everything happening exactly as it was the previous day. And this cycle continues going forward. The film is essentially an exploration of how the three respond to their predicament. On the first two repeats, after satisfying themselves that the repeats are genuine, they  indulge in carefree experiences! Their new immortality or externally inconsequential existence becomes a license to take drugs, rob people and...