Skip to main content

Pussy Riot as the Messenger

I have always thought there was something uneasy, or something not quite right about Pussy Riot and the western media reaction to it. It was not just the desecration of the Orthodox Church Cathedral. I could not placed my finger on it until I read this assessment by Vadim Nikitin :
How many fans of Pussy Riot’s zany “punk prayer” in the Cathedral of Christ the Savior and Nadezhda Tolokonnikova’s erudite and moving closing statement were equally thrilled by her participation, naked and heavily pregnant, in a public orgy at a Moscow museum in 2008? That performance, by the radical art group Voina (Russian for “war”), was meant to illustrate how Russians were abused by their government. Voina had previously set fire to a police car and drew obscene images on a St. Petersburg drawbridge.

Stunts like that would get you arrested just about anywhere, not just in authoritarian Russia. But Pussy Riot and its comrades at Voina come as a full package: You can’t have the fun, pro-democracy, anti-Putin feminism without the incendiary anarchism, extreme sexual provocations, deliberate obscenity and hard-left politics.

Unless you are comfortable with all that (and I strongly suspect 99 percent of Pussy Riot’s fans in the mainstream media are not), then standing behind Pussy Riot only now, when it is obviously blameless and the government clearly guilty, is pure opportunism. And just like in the bad old days, such knee-jerk yet selective support for Russian dissidents — without fully engaging with their ideas — is not only hypocritical but also does a great disservice to their cause.
If Nikitin is correct, the Pussy Riot saga once again highlights that the message cannot be dislodged from the messenger. It is simply not good enough to take in the message we get from the media, we must seek to understand the messenger behind the message. For the message is always an embodiment of those that carry it. Sadly, in the age of Twitter and Facebook there's little time to ponder and think through what we are receiving. We are swayed by what Madonna, Bjork and Daily Mail tell us we must believe. Ironically, more information is not leading to greater reliance on reason, but a suspension on it. We look to "authorities" to tell us what to make of Pussy Riot and not ourselves. We have no time to process all the messages, let alone focus on the messenger.

Comments

  1. I agree 100% Pussy Riot has almost been praised by the British media and Russia's government and their response to the grossly inappropriate actions of Pussy Riot demonised. Russia is not always right, but it is their right to punish disrespectful and disgusting behaviour.

    ReplyDelete
    Replies
    1. Yes, the power of celebrities now in setting the agenda basically means that newspapers are less keen to scrutinise things properly. It appears to be that everything that these celebrities endorse must be morally above reproach.

      Delete

Post a comment

Popular posts from this blog

Jesus Never Fails

Many a times in my life, the words of this childhood hymn has been a tremendous encouragement. I pray this may encourage you too. Keep looking to Jesus! Jesus never fails, Jesus never fails The man of the world will let you down, but Jesus never fails. Your mother will let you down Your father will let you down The man of the world will let you down, but Jesus never fails. Your husband will let you down Your wife will let you down The man of the world will let you down, but Jesus never fails Your brothers will let you down Your sisters-will let you down The man of the world will let you down, but Jesus never fails Your church will let you down Your work will let you down The man of the world will let you down, but Jesus never fails Your friends will let you down Your country will let you down The man of the world will let you down, but Jesus never fails Your wealth will let you down Your health will let you down The man of the world

White Fragility, A Review

Robin DiAngelo has a sermon to preach. It is in form of a short popular book called White Fragilit y. Straight off the bat she tells us not to expect balanced analysis but a forceful argument “unapologetically rooted in identity politics”.  She understands identity politics as “the [political] focus on the barriers specific groups face in their struggle for equality”. The group she wants to save is black people, whom she blankets under “people of colour”.  So what is White Fragility about?  DiAngelo is sick and tired of white racism in the western world, and specifically the USA. She believes every white person, including babies, are guilty of racism by virtue of being white. So she wants to use her “insider status” as a white American woman to challenge this white racism by getting her fellow “white progressives” to force forward her thesis. In her words, “I am white...and I am mainly writing to a white audience”. I was immediately tempted to put down the book because being black Afri

An Empty Page

I am nothing without you I am not ashamed to say But sometimes still I doubt you along my way I am nothing without you An eagle with no wings If I forget about you, I lose everything My heart is an empty stage O let your play begin My life is an empty page for you to colour me with your love It’s such a common feeling to be misunderstood But from you there’s no concealing You know my bad and good So I am not pretending my story never fails But I have already read the ending And your love prevails My heart is an empty stage Let your play begin My life is an empty page for you to colour me with your love The words are from Jonathan Veira’s song Empty Page one of the tracks off ‘ Rhythms of the Heart’ album. I like his music, especially this song. Sadly, I couldn’t find the lyrics online, so I had to write them down word for word. I have had this song for many years and it has always spoken me at many levels.